When Williams first described the motif to “Jaws” director Steven Spielberg, the filmmaker thought he was joking. “Like most ideas, they’re often the most compelling.” “I just began playing around with motifs that could be distributed in the orchestra, and settled on what I thought was the most powerful thing, which is to say the simplest,” he told film historian Jon Burlingame in an 2012 interview with Limelight magazine. The main “shark” theme, which signals impending danger, consists of a pair of alternating notes, identified as either E and F or F and F sharp.ĭescribing this theme as “grinding away at you, just as a shark would do, instinctual, relentless, unstoppable,” Williams wanted to keep it straightforward. John Williams’ score for “Jaws” (1975), considered one of the best soundtracks of all time, centers on a simple two-note motif.
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